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Types Of Indo-Islamic Architecture: Forts, Minars, Tombs and Sarais

June 20, 2024 606 0

Indo-Islamic architecture is a fusion of Islamic and Indian styles, evolving over centuries. Notable for intricate geometric designs, arches, domes, and minarets, it reflects cultural synthesis and artistic brilliance.

Forts

Structural Meaning: Fort means any structure that is used or built for the purpose of defending a territory by repelling external attacks.

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  • Reflects Authority: During medieval times, monumental forts were not just architectural marvels but also signified the might and authority of a ruler. 
  • A fort’s capture often meant the vanquishing of its ruler, causing a loss of sovereignty or a complete diminishment of power. 
  • Architectural Zenith: These fortresses, representing the epitome of strategic and architectural genius, were often built on commanding heights, offering both a strategic vantage point and an awe-inspiring view.

Grand Forts Of India 

  • Chittorgarh: Renowned as the largest fort in Asia and holds the record for the longest duration as a seat of power.
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Daulatabad Fort

 

    • It’s rich with various structures, including victory towers, or “stambhas”, and numerous water bodies. Legends of heroism and valour are deeply interwoven with its history.
  • Golconda: It is characterized by its concentric circle walls, requiring enemies to breach multiple barriers before accessing the core of the fort.
  • Daulatabad (formerly Devgiri): Designed with multiple strategic elements like staggered entrances, making it hard for enemies to penetrate. 
    • It featured twin forts and a labyrinthine pathway designed to confound invaders. 
  • Gwalior Fort: Its sheer height made it nearly impregnable. Even Babur, the founder of the Mughal Empire, was said to be deeply impressed by its magnificence. 
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Gwalior Fort
  • Forts were not just defensive strongholds, but they were also residential and official complexes, designed to inspire awe and reverence. 
  • Intriguingly, within these palace complexes, there was a liberal absorption of various stylistic and decorative influences, showcasing the blend of cultures and architectural philosophies.

Minars

Shape: The minar is a mix of polygonal and circular shapes.

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    • Material:  It is largely built of red and buff sandstone with some use of marble in the upper storeys. 
    • While these towering structures served a religious function in broadcasting the azaan, or call to prayer, their imposing heights also echoed the might of the ruling class.
  • Qutub Minar, Delhi 
    • Establishment: In the 13th century, the Qutub Minar stands as a magnificent 234-foot-high tapering tower segmented into five storeys. 
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    Qutub Minar, Delhi
    • Shape: Showcasing a blend of polygonal and cylindrical geometries, the structure predominantly uses red and buff sandstone, with marble accentuating the upper sections. 
    • Notables: Its renowned beauty is further accentuated by intricately adorned balconies and bands, where inscriptions intertwine gracefully with foliated patterns. 
    • Beyond its architectural marvel, the minar also commemorates the esteemed saint of Delhi, Khwaja Qutbuddin Bakhtiyar Kaki.

Chand Minar, Daulatabad Fort

  • Establishment: Dating back to the 15th century, Chand Minar rivals in grandeur with a height of 210 feet, gracefully tapering over four storeys. 
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Chand Minar, Daulatabad
  • Its current peach-colored façade was once embellished with chevron patterns formed by encaustic tile work and bold bands of Quranic verses. 
  • Design: While its design might hint at Iranian influences, this towering edifice is the collaborative masterpiece of local craftsmen, along with architects from Delhi and Iran.

Tombs

Mediaeval India witnessed the grand tradition of constructing monumental tombs over the graves of esteemed rulers and royalty.

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Tomb of Itmad Ud Daula, Agra
  • Prominent Tombs and Their Significance
  • Key Tombs: Include Ghyasuddin Tughlaq, Humayun, Abdur Rahim Khan-i-Khanan in Delhi, and Akbar and Itmaduddaula in Agra. 
  • Conceptual Inspiration: According to scholar Anthony Welch, the principal idea driving these tomb constructions pivoted around the promise of eternal paradise for the true believer during the Day of Judgement.
    • Design Elements Reflecting Paradise
    • Quranic Verses: Initially, the walls of these tombs featured Quranic verses, symbolising religious reverence.
    • Paradisiacal Elements: Over time, tombs incorporated elements evoking paradise. 
      • Examples: Humayun’s tomb and the iconic Taj Mahal exemplify the charbagh style, where the tomb is surrounded by structured gardens or positioned near water bodies, often combining both elements.
    • Design: The intricate designs and expansive landscapes surrounding these tombs were not just spiritual symbols representing peace and happiness in the afterlife. 
    • They also functioned as testamentary edifices, radiating the might, grandeur, and legacy of the individuals interred within.

Sarais

Resting Places: These were small resting places, with their straightforward square or rectangular designs, encircled urban areas and punctuated the vastness of the subcontinent. 

  • Varied Utility: Designed to cater to a wide array of individuals, from domestic and international travelers to pilgrims and merchants, they weren’t just mere structures for accommodation. Their significance extended much beyond.
  • Cultural Exchanges: These vibrant public spaces, brimming with people from various cultural backgrounds, became hubs of cross-cultural exchanges. 
  • Blending: The bustling nature of sarais allowed people of different origins and cultures to mingle, leading to a blending of cultural norms. 
  • This emergence of shared or syncretic practices among the populace showcased the sarais’ pivotal role in shaping the cultural tapestry of the era. 
  • Harmonious Confluence: Through them, medieval India witnessed a harmonious confluence, fostering unity and mutual appreciation among its diverse inhabitants.
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Conclusion

Indo-Islamic architecture blends Islamic and Indian styles. Forts, like Chittorgarh and Gwalior, showcased power and strategic design. Minars, such as Qutub Minar, served as call-to-prayer towers and symbols of authority. Tombs, including the Taj Mahal, incorporated charbagh gardens and reflected paradise. Sarais provided rest for travelers and fostered cultural exchange. These structures embody the rich artistic and social tapestry of Indo-Islamic architecture.

Related Articles 
Indo-Islamic Architecture: Fusion of Cultures East Indian Temple Architecture: Assam, Bengal, and Odisha Styles
Siri Fort Parliamentary Sovereignty in India: Implications and Limiting Factors

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