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Puppetry of India: Historical References & Different Forms

April 15, 2024 276 0

Introduction

Puppetry of India is a time-honored tradition, steeped in rich cultural heritage and artistic expression. Across the diverse regions of the country, puppetry thrives as a dynamic art form, captivating audiences with its colorful characters, lively performances, and enduring stories.

Historical References of Puppetry of India

  • The excavation sites at Harappa and Mohenjo-Daro have yielded puppets with sockets attached to them.
  • It finds  mention in Silappadikaaram (composed around the 1st – 2nd Century BC) 
  • Natyashashtra mentions Sutradhar (holder of strings ) as producer-cum-director of the human theater.

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Classification: Puppetry of India can be broadly classified into four categories: 

  • String Puppets (Marionettes)
    • The puppeteer exerts control by attaching strings to small openings in the hands, head, and back of the puppet’s body. 
      • They have jointed limbs that allow greater flexibility, making them more articulate. 
    • The puppets are carved from wood, and oil colours are applied to give them lifelike features. 
    • Limbs are fashioned from small wooden pipes, the body is adorned with vibrant outfits and miniature jewellery is affixed to give it an authentic feel. 

Different Forms of String Puppets of India

Kathputli (Rajasthan)

  • Kathputli derives its name from ‘kath’ meaning wood, and ‘putli’ meaning doll.
  • Carved from a single piece of wood, these puppets are like large dolls that are colourfully dressed in medieval Rajasthani-style outfits. 
  • These puppets wear long trailing skirts and do not have legs
  • Distinct facial features include Oval faces, large eyes, arched eyebrows and large lips
  • The Kathputli is accompanied by highly dramatised regional music
Kundhei (Odisha)

  • Made of light wood, the Odisha puppets have no legs but wear long flowing skirts
  • They have more joints and are, therefore, more versatile, articulate and easy to manipulate.
  • The puppeteers often hold a wooden prop, triangular in shape, to which strings are attached for manipulation. 
  • The costumes resemble those worn by actors of the Jatra traditional theatre
  • The accompanying music is regional and often inspired by Odissi. 
Gombeyatta (Karnataka)

  • The Gombeyatta puppet figures are highly stylized and have joints at the legs, shoulders, elbows, hips and knees. 
    • They are manipulated by five to seven strings tied to a prop. 
  • They are styled and designed like the characters of Yakshagana, the traditional theatre form of the region. 
    • Episodes are based on the Prasangas of the Yakshagana plays. 
  • Some of the more complicated movements of the puppet are manipulated by two to three puppeteers at a time. 
Bommalattam (Tamil Nadu)

  • The Bommalattam puppets are the largest, heaviest, and most articulate of all traditional Indian marionettes, up to 4.5 feet tall and weighing up to 10kgs.
    • Bommalattam combines the techniques of both rod and string puppets. 
  • They are made of wood, and the strings for manipulation are tied to an iron ring which the puppeteer wears like a crown on his head. 
    • A few puppets have jointed arms and hands, which are manipulated by rods. 
  • Bommalattam theatre has elaborate preliminaries which are divided into four partsVinayak Puja, Komali, Amanattam and Pusenkanattam.
  • Shadow Puppets
    • Shadow puppets are flat figures, cut out of leather, which has been treated to make it translucent. 
    • They are pressed against the screen with a strong source of light behind it. 
    • The manipulation between the light and the screen make silhouettes or colourful shadows.

Different Form of Shadow Puppetry of India

Togalu Gombeyatta (Karnataka)

  • Togalu Gombeyatta puppets are mostly small in size. 
  • A unique feature of the Togalu Gombayetta puppets is the variation of puppet size based on social status, for instance, large sizes for kings and religious characters and smaller sizes for common people or servants.
Tholu Bommalata (Andhra Pradesh)

  • Tholu Bommalata puppets are large in size and have jointed waists, shoulders, elbows and knees
  • They are coloured on both sides. Hence, these puppets throw coloured shadows on the screen. 
  • The music is influenced by regional classical music, while the puppet play themes are drawn from Ramayana, Mahabharata and Puranas.
Ravanachhaya (Odisha)

  • Ravanachhaya puppets are in one piece and have no joints. Thus, the manipulation requires great dexterity. 
  • The puppets are made of deer skin and are conceived in bold dramatic poses.
  • Although smaller in size (<2feet), Ravanchaya puppets create very sensitive and lyrical shadows. 
  • They are not coloured, hence throw opaque shadows on the screen. 
  • Props such as trees, mountains, chariots, etc. are also used along with human figures.  
  • Rod Puppets
    • Rod puppets are an extension of glove-puppets, but often much larger and supported and manipulated by rods from below. 
    • This form of puppetry now is found mostly in West Bengal and Orissa. The puppets of Orissa are smaller than those from Bengal.
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Different Form of Rod Puppetry of India

Putul Nautch (West Bengal)

  • The Bengal rod puppets are about 3 to 4 feet in height. They are carved from wood and follow the various artistic styles of a particular region. 
  • The music, costume and verbal text closely follow the Jatra theatre style. In the Nadia district of West Bengal, rod puppets used to be of human size like the Bunraku puppets of Japan. This form is now almost extinct. 
  • These puppets have mostly three joints. The heads, supported by the main rod, are joined at the neck, and both hands attached to rods are joined at the shoulders.
  • A bamboo-made hub is tied firmly to the waist of the puppeteer on which the rod holding the puppet is placed.
  • The singing puppeteer is accompanied by a group of musicians with a drum, harmonium and cymbals.
Yampuri (Bihar): Unlike the traditional Rod puppets of West Bengal and Orissa, these puppets are in one piece and have no joint, thus requiring greater dexterity.
Orissa Rod Puppets: These are much smaller in size. Thus elements of rod and string puppets are combined in this form of puppetry

Glove Puppetry of India

  • Glove puppets, are also known as sleeve, hand or palm puppets. The head is made of either papier mache, cloth or wood, with two hands emerging from just below the neck. The rest of the figure consists of a long flowing skirt. 
  • The movements are controlled by the human hand the first finger inserted in the head, and the middle finger and the thumb are the two arms of the puppet.
  • The tradition of glove puppets in India is popular in Uttar Pradesh, Orissa, West Bengal and Kerala. 
  • In Uttar Pradesh, glove puppet plays usually present social themes, whereas in Orissa such plays are based on stories of Radha and Krishna
  • In Orissa, the puppeteer plays on the dholak with one hand and manipulates the puppet with the other. The delivery of the dialogues, the movement of the puppet and the beat of the dholak are well synchronised and create a dramatic atmosphere.
Pavakoothu (Kerala)

  • Originated in the 18th century influenced by Kerala’s famous classical dance-drama, Kathakali.
  • Puppet height ranges from one to two feet, with wooden head and arms joined by thick cloth.
  • Face adorned with paints, gilded tin, peacock feathers, etc.
  • Manipulator operates the puppet by placing hand inside the bag, moving head and hands.
  • Musical instruments used include Chenda, Chengiloa, Ilathalam, and Shankha (conch).
  • Themes drawn from episodes of Ramayana or Mahabharata.

 

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Conclusion

  • Puppetry of India is not merely entertainment but a vibrant reflection of the country’s cultural diversity, artistic ingenuity, and timeless storytelling traditions. 
    • From the colorful streets of Rajasthan to the shadowy stages of Tamil Nadu, Indian puppetry continues to captivate audiences with its enchanting performances, preserving the legacy of a cherished art form for generations to come.
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 Final Result – CIVIL SERVICES EXAMINATION, 2023.   Udaan-Prelims Wallah ( Static ) booklets 2024 released both in english and hindi : Download from Here!     Download UPSC Mains 2023 Question Papers PDF  Free Initiative links -1) Download Prahaar 3.0 for Mains Current Affairs PDF both in English and Hindi 2) Daily Main Answer Writing  , 3) Daily Current Affairs , Editorial Analysis and quiz ,  4) PDF Downloads  UPSC Prelims 2023 Trend Analysis cut-off and answer key

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Quick Revise Now !
UDAAN PRELIMS WALLAH
Comprehensive coverage with a concise format
Integration of PYQ within the booklet
Designed as per recent trends of Prelims questions
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