THE PALLAVAS ( 275CE-897CE ): HISTORY, ART, CULTURE, CONFLICTS, AND DECLINE

(600 CE – 630 CE)

• He was defeated by Chalukya King Pulkeshin II.
• Gunabhara, Satyasandha, Chettakari (temple-maker) Chitrakarapuli (painter), Vichitrachitta and Mattavilasa were titles used for Mahendravarman I.
• Mandagapathu inscriptions mention the beginning of rock-cut temple constructions.
• He was a versatile genius having expertise over painting, music and literature; composed a satirical drama Mattavilasa Prahasanam in Sanskrit.
• Music inscriptions at Kudumiamalai were ascribed to him.

(630 CE -668 CE)

• Narshimhavarman I defeated the Chalukya King Pulkeshin II at the battle of Manimangalam as per the Kuram copper plate inscriptions.
• Assuming the title of Mamalla (great wrestler), he founded the great city of Mahabalipuram or Mamallapuram.
• On conquering Badami (Vatapi), he assumed the title of ‘Vatapikonda’.
• He sent a naval expedition to Sri Lanka and restored the throne of Sri Lankan prince- Manavarma.
• Chinese traveller and Buddhist monk Hieun Tsang visited Kanchi during his reign.

• Also known as Rajsimha. he assumed titles of Shankarbhakta, Agmapriya etc.
• He Sent embassies to China.
• Shore temple & Kailasanatha temple were built during his reign.
• Dandin- Sanskrit scholar lived in his court.
• Patronized Perundevannar who translated Mahabharata in Tamil and named Bharathavenba.

• Pallavas promoted agriculture and sea-trade and collected huge wealth which is reflected in the grand temple-architecture of this time.
• Pallava kingdom was divided into Kottams.
• In Pallava administration land grants were given to Brahmans (Brahmadeya) and to temples Devadhana and were exempted from taxation.
• Group of villages were called as ‘Nadu’
• Group of Nadus were called as ‘Nagaram’ (Organisation of merchants)
• Group of Nagarams were called as ‘Manadalam’
• Sabhas (assemblies) consisting of brahmin land owners functioned through smaller assemblies/committees that looked after irrigation, agriculture, roads, and temples.
• Non- brahmin land owners’ assemblies were called ‘Ur’.
• The Pallava inscriptions throw much light on the village assemblies called sabhas and their committees.

• Four–fold caste system became rigid & Brahmana occupied the dominant position as Pallava were orthodox Brahmanical Hindus.
• Bhakti Movement received promotion under Pallavas.
• Shaiva and Vaishnav sages promoted Shiva and Visnu bhakti (devotion).
• Shaiva sage-poets were called as Nayanars (Important Nayanars: Thirunavukkarasar or Appar, Sundarar or Sundarmurti, Sambandar, Manikkavsagar)
• Vaishnav sage-poets were called Alvars (Important Alvars: Perialvar, Andal-poetess, Nammalvar, Kulashekhar).
• The Pallava period witnessed the rise of Saivism & Vaishnavism and decline of Jainism & Buddhism.

• Kanchi developed as a great centre of education, culture and trade. The Ghatika (centres of learning) at Kanchi was very popular.
• Tamil language and literature along with Sanskrit flourished under Pallavas.
• Patronage to the saints yielded in the form of development of religious literature.
• Periyapuranas: Collection of songs in love and devotion of Shiva.
• Nalayir-Divya-Prabandham: Collection of songs in love and devotion of Vishnu.
• Under Pallavas, the basic features of the Dravidian architecture i.e., Vimana, Mandapam and Gopuram became vividly developed.
• During Pallavas rule temple architecture developed in 4 styles under various kings:

1. Under Mahendravarman I, small rock-cut temples were made and were called ‘manadapas’; examples are Bhairavakonda temple and Ananteswara temple at Undavalli.

2. Under Narsimhavarman I, ‘mandapas’ became bigger, Mahabalipuram/ Mamallpuram city was founded and a number of monolithic Ratha (Chariot) temples were constructed like the Panchapanadava rathas. Important Mandapams are of Varaha, Mahishasuramardhini and Tirumurthi.

3. Under Rajasimha, free-standing or structural temples started to be built. Shore, Olakkaneshwara and Mukundanayanar Temples in Mahabalipuram and Kailashnath Temple and Vaikunthaperumal temple at Kanchipuram were constructed with this feature.

4. Under Nandivarman and later Pallavas, temples continue to be constructed in Rajsimha style. Matagenswara and Muktheeswara temples are examples of this.

• The Sittannavasal paintings belonged to this period.
• Dakshinchitra (Commentary) was compiled during the reign of Mahendravarman I.
• The Mamandur inscription contains a note on the notation of vocal music.

• Chalukyas were highly centralised unlike Chola and pallava. Units (villages) were in direct control of central authorities.
• Chalukyas maintained a great naval force and small but well organised standing army that too was contributed by feudal chiefs.
• Army officers were put to civil duties whenever an emergency arose.

• Rocky and infertile land limited the income from land for Chalukyas.
• Overall decline of trade and commerce in India during this period, therefore the Chalukyas conducted invasions and plunder of the neighbouring regions.
• Arab traders were given patronage at the west coast under Chalukyas.

• Chalukyas of Badami practiced Brahmanism but respected other sects of religion too.
• Expansion of Brahmanism is reflected by building of temples in honour of Vishnu, Shiva and other gods. While Jainism witnessed expansion, Buddhism declined in Chalukya’s reign and region.
• Religious sphere of life became more ritualistic.

• Chalukyas contributed to the growth of Prakrit language and literature.
• Ajanta art continued to grow under the patronage of Chalukyas.
• The fusion of Nagara and Dravidian style i.e., Vesara Style of temples started to appear during Chalukya’s time but they distinctively developed under Rashtrakutas and Hoysalas.
• Aihole, Badami and Pattadakal are important centres of structural temples of the Chalukyas
• Ajanta (Cave paintings too), Ellora and Nasik have some of the Cave temples of Chalukya’s times.
• A number of rock-cut halls (Chaityas) were constructed and granted to Jain monks.
• Aihole-Badami and Pattadikal groups are two groups of temples of Chalukyas; of these:
• Ladh Khan temple, Durga temple (a Buddha Chaitya), Huchimalligudi temple and the Jain temple of Meguti are in Aihole group;
• The Muktheeswara temple and the Melagutti Sivalaya are at Badami.

At Pattadakkal, which is a UNESCO World Heritage site, there are 10 temples;

1. The Papanatha temple is in Nagara style:

2. The Sangamesvara temple and the Virupaksha temple are in Dravidian style.